The Academy is supposedly a trade group, and yet it devoted its opening number to degrading a good part of its membership. And who knows what the Los Angeles Gay Menâ€™s Chorus thought that it was doing by serving as MacFarlaneâ€™s backup singers, but itâ€™s hard not to wonder what the rhetorical point was meant to be. We saw your boobs, but thatâ€™s not even what we find attractive, so you exerted no power in doing soâ€”all you did was humiliate yourself? Maybe thatâ€™s reading too much into it. It could be that MacFarlane just thought it would be funny for him to say the word â€œgayâ€ as often as possible.
â€” Seth MacFarlane and the Oscarsâ€™ Hostile, Ugly, Sexist Night, Close Read, The New Yorker.
Seth MacFarlance Ã©tait l’hÃ´te des Oscars 2013 et comme je le disais hier, voir des pÃ©dÃ©s utilisÃ©s sur scÃ¨ne pour essayer de nous faire croire que les blagues n’Ã©taient pas sexistes, Ã§a m’a beaucoup gÃªnÃ© aussi. Et le principal problÃ¨me de ces blagues, c’Ã©tait bien sÃ»r qu’elles n’Ã©taient pas drÃ´les du tout.
Now, Seth MacFarlane is thirty-nine, and I amâ€”barelyâ€”a part of the generation that heâ€™s supposed to be appealing to. But I felt nostalgic last night for the Academy Awards of yore, when I sat on a couch with friends and watched everyone be glamorous and semi-respectable and we got to be gross and snarky. MacFarlane broke through that boundary last night, and suddenly the bitter asshole on the couch was up there on the stage, lost somewhere between a big smile and a sneer.
â€” Seth MacFarlane, Creepy Imitator, Culture Desk, The New Yorker.